Telling Time Under The Soil
Exploring the Diverse Artistic Practices of South Asian Women Artists
“The work of art can elicit a demand for a response that is neither national nor confined to a
narrow temporal frame—and this is certainly the case with modernism. But contemporary
art also possesses a double edge. On the one hand, it urges us to be attentive above all to
the structures of the present. On the other hand, because contemporary art visualises social
and psychic fault lines so astutely, it possesses the capacity to transform our understanding
of our most acute dilemmas.”- Iftikhar Dadi, The Middle East and South Asia : Aesthetic Mobilities
This exhibition brings together a diverse range of South Asian artistic expressions, highlighting
the interconnectedness of these practices. It aims to foster dialogue and critical thinking,
inviting viewers to engage with the various perspectives presented. This approach aligns with
Iftikhar Dadi's observation that contemporary art can both illuminate the present and offer
insights into our most pressing challenges. By exploring the rich tapestry of South Asian art,
this exhibition seeks to expand our understanding of the region's artistic landscape and its
impact on the global art scene.
The region's unique and multifaceted landscape also has its resonance in its art and culture,
and the exhibition aims to navigate this intricate terrain, providing a nuanced understanding
of South Asian artistic practices. The historical topography of South Asia is interwoven with
threads of colonialism, partition, liberation wars, ethnic and religious conflicts, and economic
and political changes. These events have significantly influenced the artistic practices of
South Asian artists, leaving an indelible imprint on the social and cultural fabric of the region.
Themes, styles, and perspectives reflected in the works of the artists are indicative of the
repercussions of these various trajectories.
The title “Telling Time Under the Soil,” which is derived from Nabaneeta Dev Sen's poem
“Memories of a Floral Clock,” conjures an intriguing exploration of the passage of time, its
visceral impact on our lives, and its capacity to unearth buried memories and emotions. This
show also explores how South Asian women artists have embodied the concept of time. Time,
often perceived as an abstract entity, takes on tangible forms in the natural world and the
human body. The presence of time becomes more tangible as we age and navigate the
cycle of life and death. The exhibition delves into the ways in which artists have absorbed and
encapsulated this elusive concept in their work, exposing the vestiges of time that are
inextricably linked to their creations. The liberating essence present at the core of their artistic
practice resonates with the unbound nature of the time.
The works of these women artists showcase a dynamic mix of media, materials, and
techniques, defying conventional categorization. Through innovative approaches, they
question and often subvert traditional artistic norms, embedding their socio-political
consciousness, environmental concerns, and aesthetic sensibilities. South Asian women
artists use new media and materials to challenge societal conventions, creating powerful
discourses that give voice to marginalised perspectives and reflect art's liberating potential.
The exhibition showcases artistic interventions that incorporate Indigenous art forms,
questioning conventional hierarchies between high and low art while examining the cultural
landscape of the region. By incorporating Indigenous aesthetics and materials, these works
dismantle traditional concepts and foster critical discourse. The interplay between
contemporary works that are imbued with Indigenous aesthetic idiom that embodies the
essence of contemporary time creates a space for re-examining established ideas and
motivates meaningful discourse.
Against the backdrop of South Asia's rich cultural heritage, this exhibition presents a curated
selection of works by women artists who have defied rigid conventions and reshaped the
artistic landscape. While not exhaustive, the exhibition offers a nuanced perspective on the
wide spectrum of women's artistic practices across generations and contexts. The exhibition
is structured within thematic divisions, harmonising coherence with distinct artistic
expression. The fluid configuration invites viewers to engage with the artworks at their own
pace, cultivating individual connections and unforeseen revelations.
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