Thota Vaikuntam in his art draws his inspiration from the rural environs of Telangana and the men and women who inhabit that space. Born in 1942 in Boorugupali, Telangana, Vaikuntam currently is based in Hyderabad. Vaikuntam completed a Diploma in Painting at the College of Fine Arts and Architecture, Hyderabad and then another in Painting and Printmaking from the Faculty of Fine Arts at Maharaja Sayajirao University, Baroda under the tutelage of KG Subramanian. His art tries to capture the vibrancy of life in his natal village through a detailed exploration of the men and women in the region. He is particularly fascinated by the sensuousness of the feminine form and traces this fascination

Madhvi Parekh is one of India’s most distinguished artists, having over five decades of art experience. Madhvi’s artworks depicts her childhood memories and fantasies. Her paintings are inspired by rural India, or Indian mythology but retains her own contemporary

Kashmir born Ratan Parimoo was a painter and an Art Historian of modern India who was a professor of Art History at the M.S. University in Vadodara. Ratan Parimoo was one of the founder members of Baroda Artist

Born in 1934 Gujarat, India, Jyoti Bhatt’s early exposure to the vibrant culture and artistic traditions of the region greatly influenced his creative journey. It was during his academic pursuits at the Faculty of Fine Arts, M.S. University of Baroda, that he came in touch with N.S. Bendre, and K.G. Subramanyan. It was at Baroda through the academic encounters that his passion for art was nurtured. It furthered his exploration of traditional Indian art forms and craftsmanship. His years at NewYork opened his mind to the then global impetus for abstraction in Art.  Bhatt’s art practice, while steeped in tradition, is marked by a fearless experimentation of a range of

Born in 1939 in Gujarat, Manu Parekh completed a Diploma in Drawing and Painting from the Sir J.J. School of Art, Mumbai, in 1962. Parekh’s early work explored the relationships between man and nature, as according to him, this was an energetic link that had to be celebrated. The artist also points out that, since then, contradictions have formed the basis of his artistic practice, no matter the subject or genre of his works. Banaras as a city came to play an integral role in Parekh’s work after his first visit there following his father’s death. This holy city of hope, of faith, of tourists offered him a vast number of contradictions in one location. Parekh also